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Kickin' for a Kure w/ Gary Allan, Randy Rogers and Wade Bowen at Freeman Coliseum Expo Hall in San Antonio, Texas

Gary Allan, Randy Rogers and Wade Bowen
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Kickin' for a Kure w/ Gary Allan, Randy Rogers and Wade Bowen at Freeman Coliseum Expo Hall in San Antonio, Texas

Kickin' for a Kure w/ Gary Allan, Randy Rogers and Wade Bowen at Freeman Coliseum Expo Hall in San Antonio, Texas

DATE:
Saturday, July 20, 2019
TIME:
Doors | 5:00 PM
Showtime 7:00 PM
LOCATION:
Freeman Coliseum Expo Hall
3201 East Houston Street
San Antonio, Texas 78219
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About this Event:

9th Annual Kickin' for a Kure w/ Gary Allan, Randy Rogers and Wade Bowen

This year's star studded line up features Gary Allan with Randy Rogers & Wade Bowen: Hold My Beer & Watch This Tour .

July 20th at the San Antonio Freeman Coliseum Expo Hall.

Ticket Options:

  • $35 - Advance General Admission ($40 At the Gate + $5 facility fee)
  • $60 - Reserved Seating ($65 At the Gate + $5 facility fee)
    • Please note: All gate sales will be subject to a $5 facility at the door
  • $2500 - VIP Tables for 10 (Must purchase entire table)
  • $5000 - Executive VIP Tables for 10 (Must purchase entire table)


All VIP Tickets receive free dinner and drinks.

Worlds Largest 3 Hole Double Elimination Washer Tournament - email kickinforakure@gmail.com for more info.
Price: $40.00 - $250.00
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GARY ALLAN
“I ain’t really happy,” sings Gary Allan on “Get Off on the Pain,” the down-home masterstroke that begins and provides the name for his new MCA Nashville collection, “until the sky starts driving rain.” Unhesitatingly frank, mercilessly guitar-crazed, it’s the rocked-out country confession of a smart guy drawn to what the rest of the world calls wrong roads and long shots, or complains of as aching bones and stubbornness, or — as Allan sings in a spectacular stretch of drawn-out soulful vowels — underestimates as dark horses. And as the California-born superstar releases his eighth studio album, it’s about the most Gary Allan piece anyone could imagine.

“That’s, like, very autobiographical,” Allan understates, talking about the song. “I feel like I’m living that right now. It’s got a lot of life in there for me: It represents the relentless quality of life on the road. You’ll never hear me singing about tractors or farms, just because I don’t know anything about that stuff. Wrong roads and dark horses I know about. Still, I think the pain can get to be some kind of a positive for me because it connects to everything I’ve ever dreamed of. While it’s relentless, it’s confirmation of the actual existence of this big musical drama, the result of the dream.”

That dream, for Allan, was to become exactly what he has become over the course of a lifetime in the field: a singer and songwriter forever cognizant of country music’s rough and storied past yet never wholly enslaved by its stylistic or social traditions. As a teenager performing in California, he skipped the bars that didn’t want to hear him play George Jones music; as a Nashville artist, he never worried about rocking things out or missing an awards-show red carpet. “It’s almost become a challenge to get into this town. But I’m also really comfortable with where I am, being slightly on the outside.” Allan always has developed and continued to refine his own tattooed power and finesse.