Just as the nineties dissolved into the 21st century, Lit charged up rock ‘n’ roll with uncompromising punk energy and a power pop punch. However, the Orange County-born band left an imprint on popular culture that only fissured wider over the years like a California fault line. Who could forget the immortal lyric, “Can we forget about the things I said when I was drunk?” or the time Pamela Anderson devoured the band whole in the “Miserable” music video. The group outlasted the next two decades as well. They stood out as the rare act whose presence could be felt loud and clear at Woodstock ’99. Twenty years after its initial release, the Billboard Music Award-winning “My Own Worst Enemy” not only went double-platinum, but Post Malone also covered it on Instagram Live as did Kelly Clarkson and Jimmy Fallon on his late night show. Further speaking to their enduring influence, they’ve inspired think pieces by everyone from American Songwriter to Kerrang!, while Consequence of Sound named them one of the “100 Best Pop Punk Bands.” Not to mention, their music blared through American Reunion, Central Intelligence, Parks and Recreation, Rock Band, and beyond as they also impressively averaged over 2.2 million monthly listeners on Spotify. The guys have amassed a catalog highlighted by fan favorites such as the platinum A Place in the Sun [1999], Atomic [2001], Lit [2004], The View From The Bottom [2012], and These Are The Days [2017]. Meanwhile, they teased the next chapter with “Yeah Yeah Yeah” in 2021, arriving to acclaim from Loudwire, Alternative Press, and more. Now, the quartet—brothers Ajay [vocals] and Jeremy Popoff [guitar], Kevin Baldes [bass], and Taylor Carroll [drums]—continue to do what they do best on their seventh full-length album and 2022 debut for Round Hill Records, Tastes Like Gold. “We made a conscious decision to go back to when we had arrived at what we represented musically,” says Ajay. “It took a little bit of time to cleanse the palette and hit reset. However, the creativity flowed better than it had in the past couple of decades.” “We just decided to make what people expect from Lit and, honestly, what we expect from Lit,” exclaims Jeremy. “Our fans have been very cool and gracious over the years. They’ve allowed us to grow, change, morph, and explore. At the end of the day though, Lit means something to people, and we wanted to get back to that. Once the lockdowns happened, it was even more difficult to go back to that place when we were in our early twenties in an Anaheim warehouse with cases of cheap beer and friends without a care in the world other than the next show. While everybody reevaluated the whole world, we tried to make a really fun rock ‘n’ roll record.” So, that’s what they did… By the time the Global Pandemic hit, the Popoff brothers had both traded Sunny Southern California for Music City, even hitching ride on Jamey Johnson’s tour bus to Nashville. They hit the studio with cowriters and co-producers Carlo Colasacco and Eric Paquette, re-energizing and reinvigorating their sound. “Those two had a big role in relighting the Lit torch,” says Kevin. “Our drummer Taylor is a monster too, and a big part of the energy of this record. ” “They are younger dudes that grew up big Lit fans,” Jeremy goes on. “So, as we inspired them along the way, they inspired us with their modern and fresh approach to making music. We stripped it back down to the basics, and they gave us a new school energy actually inspired by what we’re known