With the release of Unscripted, her latest Trippin’ N Rhythm recording, Cindy Bradley is not only keeping the trumpet and flugelhorn hip and grooving lead jazz instruments like her late great heroes Freddie Hubbard, Lee Morgan and Blue Mitchell--she’s also continues her knack for picking spot on album titles.
Calling her 2009 debut Bloom proved prophetic, as the multi-talented performer blossomed into a powerful and charismatic presence at radio and on the contemporary jazz festival circuit. Along the way, Cindy performed everywhere from the River Raisin’ Jazz Festival in Monroe, Michigan to the Dubai Jazz Fest. She won Best New Artist at the American Smooth Jazz Awards and was named Debut Artist of the Year by the Catalina Island Jazz Trax Festival and Smooth Jazz News. How to follow up? Easy. Don’t over-think or worry about everyone’s great expectations. Like a lot of the most exciting moments in life, it’s sometimes just best to go Unscripted—the perfect moniker for the whimsical spirit and stylistic diversity that drives Cindy’s new album.
For the NYC area based Cindy, collaborating on Bloom with Grammy winning producer Michael Broening (George Benson, Wayman Tisdale, Marion Meadows, Steve Oliver) in his Phoenix studio proved to be a stroke of creative genius. The collection was an incredible showcase for her multitude of talents as a player, which extend from traditional jazz and hard bop to R&B and pop influenced contemporary jazz. For those sessions, Broening had laid out a lot of tracks in advance for Cindy to co-write to and work her horn magic over. Wanting the new project to reflect her artistic growth since the first album and a deeper sense of her true emotions, Broening insisted this time in essentially winging it. He invited her to his Phoenix studio without any prescribed agenda.